This is a beautiful interview and was right in line with something I was talking to an artist friend of mine just this morning. Overthinking creativity can strangulate the process. Moving into uncharted territory, has the power to pull out the most important artistic creations in scientific inventions, tapping into the risky zone of uncertainty. I like what he said about performance art which I’ve always felt coming from a dance background that Art that is fleeting is gone and it frees up mental space for going forward. On the topic of dance though he said in the 70s there was no such thing as modern dance and I have to disagree with
Sorry about that. I need to make a correction that should have said the rigidity of classical ballet and of course that should have said Isadora Duncan
Michele on that subject as modern dance was created in the late 19th century early 20th century as a rebellion against the Virginia of classical ballet with Ruth Dennis is a door Duncan Martha, Gram, etc. so that concept has been around since the turn of the century. Anyway, I love the rest of the interview very much and I like what he said about the art of listening, which I’ve always felt is huge. It’s important creatively and socially the more we listen the better we understand the creative process or someone who is coming from a completely different social background I also love to the conversation about individual behavior having a ripple effect The accumulation of individual responsibility. Anyway, thank you both for an interesting listen.
This is a beautiful interview and was right in line with something I was talking to an artist friend of mine just this morning. Overthinking creativity can strangulate the process. Moving into uncharted territory, has the power to pull out the most important artistic creations in scientific inventions, tapping into the risky zone of uncertainty. I like what he said about performance art which I’ve always felt coming from a dance background that Art that is fleeting is gone and it frees up mental space for going forward. On the topic of dance though he said in the 70s there was no such thing as modern dance and I have to disagree with
Sorry about that. I need to make a correction that should have said the rigidity of classical ballet and of course that should have said Isadora Duncan
Michele on that subject as modern dance was created in the late 19th century early 20th century as a rebellion against the Virginia of classical ballet with Ruth Dennis is a door Duncan Martha, Gram, etc. so that concept has been around since the turn of the century. Anyway, I love the rest of the interview very much and I like what he said about the art of listening, which I’ve always felt is huge. It’s important creatively and socially the more we listen the better we understand the creative process or someone who is coming from a completely different social background I also love to the conversation about individual behavior having a ripple effect The accumulation of individual responsibility. Anyway, thank you both for an interesting listen.